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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Trio à Cordes: 2 violons, alto
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Violon, Guitare (duo)
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4 Violoncelles
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Trio à Cordes: 2 violons, violoncelle
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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Orchestre d'harmonie
46
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12
Batterie
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Cloches
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Marimba
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Ensemble de cuivres
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Fanfare
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Vous avez sélectionné:
Sign of the Times
Alto, Piano
Partitions à imprimer
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Sign Of The Times
Alto, Piano
Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 3 - Digital Download
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Instrumental Duet,Piano Cello,Instrumental Duet,Piano,Viola - Level 3 - Digital Download SKU: A0.1038777 By Harry Styles. By Alex Salibian, Harry Styles, Jeff Bhasker, Mitch Rowland, Ryan Nasci, and Tyler Johnson. Arranged by Cadenza Editions. Pop. Score and parts. 10 pages. Cadenza Editions #643756. Published by Cadenza Editions (A0.1038777). Harry Styles - Sign Of The Times for Viola, Cello and Piano (with chords).
$9.99
9.32 €
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Alto, Piano
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Harry Styles
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Cadenza Editions
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Sign Of The Times
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Cadenza Editions
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SheetMusicPlus
Sign Of The Times
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1038692 By Harry Styles. By Alex S…
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Piano,Viola - Level 3 - Digital Download SKU: A0.1038692 By Harry Styles. By Alex Salibian, Harry Styles, Jeff Bhasker, Mitch Rowland, Ryan Nasci, and Tyler Johnson. Arranged by Cadenza Editions. Pop. Score and part. 9 pages. Cadenza Editions #643678. Published by Cadenza Editions (A0.1038692). Harry Styles - Sign Of The Times for Viola and Piano (with chords).
$4.99
4.66 €
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Alto, Piano
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Harry Styles
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Cadenza Editions
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Sign Of The Times
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Cadenza Editions
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SheetMusicPlus
Luther: Out of the Depths for Viola & Piano
Alto, Piano
Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. …
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Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411767. Published by jmsgu3 (A0.548726). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 â1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Lutherâs songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine.
$24.95
23.28 €
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Alto, Piano
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Martin Luther
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James M
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Luther: Out of the Depths for Viola & Piano
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jmsgu3
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SheetMusicPlus
Sign Of The Times
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.903271 By Harry Styles. By Alex Sa…
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Piano,Viola - Level 2 - Digital Download SKU: A0.903271 By Harry Styles. By Alex Salibian, Harry Styles, Jeff Bhasker, Mitch Rowland, Ryan Nasci, and Tyler Johnson. Arranged by John Rudolph. Pop. Score and part. 14 pages. Music and Music #509465. Published by Music and Music (A0.903271). Transcription for Viola and Piano.
$6.99
6.52 €
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Alto, Piano
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Harry Styles
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John Rudolph
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Sign Of The Times
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Music and Music
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SheetMusicPlus
Arirang Two Times (ì리ë)
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1129514 Composed by Traditional. A…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1129514 Composed by Traditional. Arranged by Christian Morris. Folk. Score and part. 5 pages. Hoopla Sheet Music #729962. Published by Hoopla Sheet Music (A0.1129514). âArirangâ (ì리ë) is a popular folk song in both North and South Korea. It is estimated to be more than 600 years old. There are about 3,600 variations of 60 different versions of the song. This arrangement juxtaposes a refrain in a different time signature (4/4) which is then played against the original tune in its original time (3/4).
$5.99
5.59 €
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Alto, Piano
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Traditional
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Christian Morris
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Arirang Two Times
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Hoopla Sheet Music
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SheetMusicPlus
Bach: Wachet auf for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.549837 Composed by Johann Sebastia…
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Piano,Viola - Level 2 - Digital Download SKU: A0.549837 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554477. Published by jmsgu3 (A0.549837). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives â in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bachâs works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95
23.28 €
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Alto, Piano
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Johann Sebastian Bach
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James M
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Bach: Wachet auf for Viola & Piano
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jmsgu3
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SheetMusicPlus
Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.549462 Composed by Alexander Scria…
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Piano,Viola - Level 3 - Digital Download SKU: A0.549462 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499711. Published by jmsgu3 (A0.549462). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabinâs most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
18.61 €
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Alto, Piano
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2 for Viola & Piano
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jmsgu3
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SheetMusicPlus
Jesus, Lover of My Soul for Violin or Viola and Piano
Alto, Piano
Piano,Viola - Level 4 - Digital Download SKU: A0.1228636 Composed by Joseph P. Holb…
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Piano,Viola - Level 4 - Digital Download SKU: A0.1228636 Composed by Joseph P. Holbrook. Arranged by Hyrum Kohler. Christian,Easter,Praise & Worship,Religious,Sacred. Score and part. 8 pages. Hyrum Kohler #824692. Published by Hyrum Kohler (A0.1228636). I wanted to play a hymn in church without simply playing the same thing three times in a row. And, without words, I wanted to express the tension and pain that occasionally and inevitably accompanies trying one's best to live a good life. This arrangement is simultaneously fresh, familiar, and reasonably challenging for the performer. This is my go-to for playing in a church setting, but it can also fit right in to a pedagogical or classical recital scenario. The traditional tune wears different clothes throughout the piece, having variance in time signature, key signature, and mode (dipping into minor). This is a simplification and compression of my original arrangment for string quartet. I originally intended this to be for viola, but it just so happened to fit in the violin's range; I left the part in treble clef to accommodate both options. The piano part is somewhat easier to play than the violin/viola part (evidenced by how I can kind of play it), but it still serves a collaborative or duet role, sharing and passing the melody betwen parts.
$4.99
4.66 €
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Alto, Piano
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Joseph P
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Hyrum Kohler
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Jesus, Lover of My Soul for Violin or Viola and Piano
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Hyrum Kohler
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SheetMusicPlus
Becoming • Instrumental Backing Track
Alto, Piano
Double Bass,Flute,Oboe,Piano,Viola - Level 3 - Digital Download SKU: A0.1164773 Com…
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Double Bass,Flute,Oboe,Piano,Viola - Level 3 - Digital Download SKU: A0.1164773 Composed by C. Michael Perry. Arranged by C. Michael Perry. Christian,Spiritual. Accompaniment. Duration 239. Shining Sharon Music #765107. Published by Shining Sharon Music (A0.1164773). Line upon line, precept on precept, we learn and grow, sometimes at an alarming rate, other times at a snail's pace. As we are each individuals, this is wholly appropriate. The goal for each of us, for everything that we learn, is to use it to love God, love ourselves and prepare to meet God ââ to BECOME ââ hourly, daily, weekly, yearly, as we learn and grow in life and through Eternity. Think of the possibilities! With God, nothing is impossible! Designed to be played with either the SAB arrangement or the VOCAL SOLO, this track replicates the Piano, Flute, Oboe, Viola and Acoustic Bass parts to accompany the vocals.
$25.00
23.33 €
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Alto, Piano
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C
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C
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Becoming • Instrumental Backing Track
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Shining Sharon Music
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SheetMusicPlus
Schubert: Moment Musicaux for Viola & Piano
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.549032 Arranged by James M. Guthri…
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Piano,Viola - Level 2 - Digital Download SKU: A0.549032 Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 9 pages. Jmsgu3 #3447483. Published by jmsgu3 (A0.549032). Schubert's Moment Musicaux is a collection of six short pieces for solo piano composed by Franz Schubert. They are among the most frequently played of Schubert's piano music and have been recorded many times. The Moments Musicaux are supreme examples of Schubert's ability to suggest the subtlest nuances of emotion, which shift and alter literally in a moment. The composition of the Moments was quite sporadic, with the third and sixth movements appearing in various collections of works compiled by publishers in 1823/24 and the complete collection appearing in 1828, the year of Schubert's death. The Moments Musicaux are short pieces, shorter than his Impromptus, and are collected under the opus number 94. They encompass various moods and moderate difficulty, showcasing Schubert's skill in touching different tonal areas within a single movement. Schubert's Moment Musicaux No. 3 is a significant and popular piece. It is described as energetic, playful, and lyrical. The Moments Musicaux are among Schubert's best-loved works, and No. 3 is known for its whimsical merriment.
$32.95
30.74 €
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Alto, Piano
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James M
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Schubert: Moment Musicaux for Viola & Piano
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jmsgu3
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SheetMusicPlus
I need Thee Every Hour viola and piano
Alto, Piano
Piano,Viola - Level 3 - Digital Download SKU: A0.1191096 Composed by Robert Lowry. …
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Piano,Viola - Level 3 - Digital Download SKU: A0.1191096 Composed by Robert Lowry. Arranged by Cydney Olson Van Duker. Christian,Religious,Sacred. Score and part. 4 pages. Cydney Olson Van Duker #790613. Published by Cydney Olson Van Duker (A0.1191096). This is a unique arrangement of a beloved hymn with changes in the time signature and key signature several times throughout. The first verse introduces the melody in a simple and comforting manner. The accompaniment is flowing and reverent. The second verse becomes more joyous. In the third verse the piano starts with the melody and the viola plays an obligato. The third verse ends with the viola taking back the melody and finishing the piece as reverently as it began.
$5.00
4.67 €
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Alto, Piano
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Robert Lowry
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Cydney Olson Van Duker
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I need Thee Every Hour viola and piano
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Cydney Olson Van Duker
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SheetMusicPlus
Great Is Thy Faithfulness
Alto, Piano
Piano,Viola - Level 2 - Digital Download SKU: A0.1047804 Composed by Phillip Kevere…
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Piano,Viola - Level 2 - Digital Download SKU: A0.1047804 Composed by Phillip Keveren, Thomas O. Chisholm, and William Runyan. Arranged by Stephen DeCesare. Contemporary,Praise & Worship,Sacred,Standards,Traditional. Score and part. 12 pages. Exultet Music #652238. Published by Exultet Music (A0.1047804). The popular Christian hymn that is based from the Old Testament Book of Lamentations 3:23 has now been freshly arranged in a tender 4/4 time signature for a Viola solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. Can be used many times throughout the liturgical year. An accompaniment track is also available.
$4.99
4.66 €
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Alto, Piano
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Phillip Keveren, Thomas O
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Stephen DeCesare
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Great Is Thy Faithfulness
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Exultet Music
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SheetMusicPlus
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